This video shows Arounder.com web site, the Virtual Panoramic Brochure and the Iphone app Aroundertouch, with focus on Arounder Milan and Arounder Como.
The Holy, Royal and Stavropegic Monastery of Kykkos (Ιερά Μονή Κύκκου), which lies 20 km west of Pedoulas, one of the wealthiest and best-known monasteries in Cyprus.
The Holy Monastery of the Virgin of Kykkos
The Holy Monastery of the Virgin of Kykkos was founded around the end of the 11th century by the Byzantine emperor Alexios I Komnenos (1081 – 1118). The monastery lies at an altitude of 1318 meters on the north west face of Troodos Mountains.
The Holy Monastery of the Virgin of Kykkos
The Kykkos Museum (also known as the Museum of the Holy Monastery of Kykkos), is unlike today’s modern museums. The museum houses artifacts based on their artistic value. It is dedicated to the Virgin Mary. Situated inside the Holy Moastery of Kykkos, the museum features holy objects, icons, vestments, woodcarvings, embroiders, and manuscripts.
Kykkos museum - room 3
All items are exhibited as part of the living adoration and history of the monastery. Most notable, the museum is home to one of the three surviving icons painted by the Apostle Luke.
The Grand Theatre de la ville de Luxenbourg was built in the 1960s to mark the millennium of Luxembourg. Opening on April 15, 1964, the theatre is a state-of-the-art building that was designed by Parisian architect Alain Bourbonnais.
The exterior of the theatre is just as exquisite as its interior. The exterior sight alone is enough reason to visit the Luxembourg’s popular attractions.
Grand Théâtre de la Ville de Luxembourg - exterior
Since its original construction, the facility has been renovated to better serve the needs of its patrons. The structure features building materials from Austria, Switzerland, Germany, France, Belgium, the Netherlands, and Luxembourg. Today, the Grand Theatre de la ville de Luxenbourg, which is referred to by locals as the New Theatre, has hosted major concert artists from across the world.
Grand Théâtre de la Ville de Luxembourg - foyer
The theater has also welcomed local artists and serves as a venue for ballet, modern dance, opera, and drama featured in numerous languages. Notable festivals and theatre groups hosted at the theatre include “La Monnaie de Bruxelles”, the “Nederlandse Opera d’Amsterdam”, the “Wiener Festwochen” and the Festival of Aix-en-Provence.
Grand Théâtre de la Ville de Luxembourg - on stage
The facility has two showrooms. The main room seats 943 guests and boasts a vast variety of sophisticated, high-tech state sets. The second auditorium seats 400 guests.
The Royal Danish Theatre (Danish: Det Kongelige Teater) is both the national Danish performing arts institution and a name used to refer to its old purpose-built venue from 1874 located on Kongens Nytorv in Copenhagen.
The theatre was founded in 1748, first serving as the theatre of the king, and then as the theatre of the country. The theatre presents opera, the Royal Danish Ballet, classical music concerts (by the Royal Danish Orchestra, which dates back to 1448), and drama in several occasions.
Royal Danish Theatre Copenhagen
The Royal Danish Theatre organization is under the control of the Danish Ministry of Culture, and its objectives are to ensure the staging of outstanding performances that do justice to the various stages which it controls.
The Farnese Theatre is the most ancient and largest baroque theatre existing inside a building. Sited on the first floor of the great Pilotta Palace, it is related to the Renaissance tradition of the court’s theatres and it was built in 1618-19 by the ferrarese architect G. B. Aleotti.
Teatro Farnese Parma
The architect, inspired by the classical age theatres, transformed a huge “hall” which was originally intended as a “salle d’armes” in a theatrical space of great technical complexity, which still fascinates for its warm and golden wood and its wide volumes. The wooden structures were originally painted to mimic more precious materials like marble and bronze, and it was decorated with many plaster statues, work of Luca Reti, imitating white marbles, such effects being now vanished after wartime destruction in 1944.
The Theatre, accurately re-built in its volumes in the ’50s, still holds on the walls many portions of the original frescoes, painted by various masters, including Malosso and Lionello Spada.
Teatro Farnese - stage
The wide-proportioned stage, used to hide complex stage machines which, according to the baroque theatre’s character, allowed spectacular changes of scene. In the Theatre were held only nine representations, during ducal marriages or some Princes’ visits. After the last representation in 1732, the Farnese Theatre slowly deteriorated until the almost total destruction of the wooden parts due to the fragmentation of a bomb, during the Second World War.
“Teatro alla Scala” Theatre in the heart of Milan’s historic city centre is the most important Italian Opera House and an emblem known and admired all over the world. It is where many of the most famous operas by the greatest nineteenth-century composers were first performed. The Theatre was built according to the desire of the Empress Maria Teresa of Austria after the old ” Teatro Regio Ducale”, Milan’s traditional opera house, was destroyed by fire on the 26th of February 1776.
Teatro alla Scala - view from the Royal box
Building costs were borne by the “Palchettisti” or box-holders in the Ducale Theatre in exchange for the concession of the site of the former Church of Santa Maria alla Scala” after which the Opera House was named and the renewal of the right to own a box in the new Theatre.
Teatro alla Scala - view of Royal box
The stage is one of the largest in Italy with outstanding acoustic effects. Directly opposite the stage is the Royal Box. The Theatre’s overall seating capacity can accommodate almost 3000 spectators.
Teatro alla Scala - back stage
Museo teatrale alla Scala (La Scala Theatre Museum): Most of the mementos displayed in this shrine to Opera are related to the history and fascinating tradition of La Scala. The Museum was founded in 1911 after a group of protagonists of Milanese cultural life bought the enormous collection of the Parisian antique dealer Giulio Sambon. Numerous donations and acquisitions were added to this initial nucleus over time making this rich historic collection one of the most envied in the world.
Teatro alla Scala Museum - lower floor
The Museum documents the history of the Theatre over time by means of portraits, mementos, sculpture, musical scores, playbills among other interesting objects. It is a worthy tribute to the most important personalities of the world of music, ranging from Giuseppe Verdi and Giacomo Puccini to Arturo Toscanini and Victor de Sabata.
The Georgia Aquarium, located in Atlanta, Georgia at Pemberton Place, the world’s largest at the time of its opening in November 2005, with more than 8.1 million US gallons (31,000 m³) of marine and fresh water housing more than 100,000 animals of 500 different species. The aquarium’s notable specimens include two young whale sharks named Alice and Trixie, two beluga whales named Beethoven and Maris and two manta rays.
Georgia Aquarium Main Entrance
Funded mostly by a $250 million donation from Home Depot co-founder Bernie Marcus, the aquarium was built on a 20 acre (81,000 m²) site north of Centennial Olympic Park in downtown Atlanta. Marcus credited his 60th birthday dinner at the Monterey Bay Aquarium in 1990 as among the inspirations behind his desire to build an aquarium in Atlanta.
Georgia aquarium map
The aquatic animals are displayed in five different galleries: Georgia Explorer, Tropical Diver, Ocean Voyager, Cold Water Quest, and River Scout. Each corresponds to a specific environment.
The City of Arts and Sciences (Ciudad de las Artes y las Ciencias) is an entertainment-based cultural and architectural complex in the city of Valencia, Spain.
It is made up of five main elements: the Hemisfèric (IMAX cinema and digital projections), the Umbracle (a landscaped vantage point and car park), the Principe Felipe Science Museum (an innovative centre of interactive science), the Oceanográfico (the largest aquarium in Europe with over 500 marine species) and the Palau de les Arts Reina Sofía (which takes care of the operatic programme). The Ágora will give the complex a multifunctional space.
The city of Arts and Sciences by night
The City of the Arts and the Sciences is situated at the end of the old riverbed Turia which became a garden in 1980, after the creation of the bypass of the river after the great flood of Valencia in 1957.
Museu PrÌncipe Felipe
Designed by Santiago Calatrava and Félix Candela, the project underwent the first stages of construction in July, 1996 and the finished “city” was inaugurated April 16, 1998 with the opening of L’Hemisfèric. The last great component of the City of the Arts and the Sciences, El Palau de les Arts Reina Sofía, was presented in October 9, 2005, Valencian Community Day.
You will find this great work of art that Leonardo da Vinci was commissioned to paint by Ludovico il Moro, from 1496 to 1498, in the refectory of the Dominican convent of Santa Maria delle Grazie, outside the church a door, on your right, will lead you into it.
The Last Supper painted by Leonardo da Vinci is ingeniously devised as an expansion of the perspective of the space in which it is set (1495-1497). It is one of the most famous works of art in the world, and has long been an icon of Western civilization.
The Last Supper - Leonardo da Vinci (zoomify)
The scene portrays the moment in which Jesus tells his disciples that one of them is about to betray him. The Last Supper is included in the UNESCO’s World Heritage list. On the opposite wall there is a Crucifixion dating of the same period by Giovanni Donato Montorfano.
The Last Supper - detail
The Church of Santa Maria delle Grazie is one of the most striking monuments of Lombard Renaissance. The Church was built between 1466 and 1490 under the direction of Guiniforte Solari, only subsequently in 1492 the apsidal part was added by Bramante. In the refectory of the church of Santa Maria delle Grazie, ancient premises of the Court of the Inquisition, one of the absolute masterpieces of history is kept: Leonardo da Vinci’s Last Supper.
The fame of the building is also due to the tribune of the apsyidal part on today’s Via Caradosso, added in 1492. The inside of the church with a double series of side chapels highlights the Solari’s Gothic background just as the arcades on the two rows of columns. The vaults bear frescoed decorations dating from the birth of the building, rediscovered after they had been hidden in 600.
Santa Maria delle Grazie - exterior
The inside of the church with a double series of side chapels highlights the Solari’s Gothic background just as the arcades on the two rows of columns. The vaults bear frescoed decorations dating from the birth of the building, rediscovered after they had been hidden in 600.
Notre Dame de Paris (Our Lady of Paris), also known as Notre Dame Cathedral, is a Gothic, Roman Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. Notre Dame de Paris is widely considered one of the finest examples of French Gothic architecture in France and in Europe.
Notre Dame de Paris façade (zoomify)
It is the cathedral of the Catholic archdiocese of Paris: it contains the “cathedra”, or official chair, of the Archbishop of Paris, André Cardinal Vingt-Trois.
Notre Dame de Paris façade detail
Here you can see a detail of the high resolution image of the facade.
It was restored and saved from destruction by Eugène Viollet-le-Duc, one of France’s most famous architects. The name Notre Dame means “Our Lady” in French, and is frequently used in the names of Catholic church buildings in Francophone countries. Notre Dame de Paris was one of the first Gothic cathedrals, and its construction spanned the Gothic period. Its sculptures and stained glass show the heavy influence of naturalism, unlike that of earlier Romanesque architecture.
Notre Dame de Paris - altar
Notre Dame de Paris was among the first buildings in the world to use the flying buttress (arched exterior supports). The building was not originally designed to include the flying buttresses around the choir and nave. After the construction began and the thinner walls (popularized in the Gothic style) grew ever higher, stress fractures began to occur as the walls pushed outward. In response, the cathedral’s architects built supports around the outside walls, and later additions continued the pattern.
Notre Dame de Paris - interior
The cathedral suffered desecration during the radical phase of the French Revolution in the 1790s, when much of its religious imagery was damaged or destroyed. During the 19th century, an extensive restoration project was completed, returning the cathedral to its previous state.
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